Just as the movie A Christmas Story helped me remember my boyish state-of-mind and my first B-B gun, this movie helped me remember my awkward teens and joys of trying to unravel the mystery of girls. Peter Jackson’s ‘The Beatles: Get Back’ Documentary Gets Fall Release From DisneyYet Another Documentary, ‘Marianne & Leonard: Words of Love,’ Tops Arthouse Openers The poster reads “The Beatles: Eight Days a Week—The Touring Years,” but that looks to me like three separate titles jostling for attention.

Eight Days A Week – The Touring Years ( 1,512 ) IMDb 7.8 1h 45min 2017 NR In 1962 four young men - John Lennon, Paul McCartney, George Harrison and Ringo Starr - came together to form the 20th century musical phenomenon known as 'The Beatles'. Ringo, interviewed for the movie, remembers a period when the only way to decipher what point they had reached in a song, enthroned as he was behind his drum kit, was to observe the motion of John’s and Paul’s backsides. Of course by today's standards the film's hero would be called a stalker! Let me begin by saying that I am a 30ish professional with the unenviable ability to remember most all of the movie lines from every movie I've ever enjoyed (and a few that are too painful to forget). The new Beatles film, directed by Ron Howard, was given its premiere at Liverpool’s FACT Picturehouse cinema, in front of a lineup of invited VIP guests from The Beatles’ early years.

So, what does Howard possess that earlier chroniclers don’t?

To be exact, in the ABC in Manchester, England, on November 20, 1963, and the Beatles onstage, smacking into “She Loves You” without ado. What moviegoers should ask for, as they line up to buy tickets, is unclear. Beatles fans, from the maniacal to the merely devout, will be tempted to complain that they know this stuff already—everything from the Cavern Club and the hurly-burly of the Hamburg trips to the pullulating mob in Shea Stadium, in 1965, and so forth. Bridget is a television-news producer, but the movie treats her career with disdain, as little more than an opportunity for unprofessional screwups; Maguire has the nerve to give her heroine a big speech on the “integrity” of proper journalism—this after “Bridget Jones’s Baby” has made fun of foreigners’ names, and arranged for her to put the wrong Asian guest in front of the cameras. So good for the morale.Luckily, so expert is Firth’s timing—like that of Emma Thompson, as Bridget’s obstetrician—that laughs, often of the rueful variety, can be conjured in the stalest scenes. Even still, this was a wonderful surprise. Half a century from now, will moviegoers strap on their virtual headsets to watch “Bridget Jones: Back from the Grave,” in which the heroine, though smugly ensconced in heaven, returns for one last moan at the failings of mortal men?The title of the film, directed by Sharon Maguire, comes equipped with its own spoiler. The guys look adorable together, and she wouldn’t have to choose between them.

Directed by Michael Davis. The sound quality at Shea Stadium was famously feeble; Elvis Costello likens it to “a thousand transistor radios,” but Howard’s film manages to pump it up. Robb, Mark L. Taylor. Where can the story go from here, and how will it end: divorce, dementia, demise?

She also meets and fails to recognize Ed Sheeran, although that is an error for which she must surely be excused, given that Sheeran looks nothing like a rock star and an awful lot like something that you put on a key ring. The film gets its name from the Beatles song "Eight Days A Week". The tale told by “Eight Days a Week” is a familiar one: how the bugs flew, and what sort of buzz they made around the world. With Joshua Schaefer, Keri Russell, R.D. His expression is that of a man who has suddenly realized that, as if “Mamma Mia!” weren’t punishment enough, he is once again playing a character whose paternity is open to question. So reliably does she embarrass herself at every public event that the film, trudging by on automatic, becomes an embarrassment, too. The Beatles scoffed at racial division not simply because it was wrong but on the more fundamental ground that, in Paul’s words, “it just seemed mad to me.”Does this mean, though, that the Beatles were perpetually tuned in? As “Eight Days a Week” springs from color to black-and-white, and as frenzied action is intercut with stills, we get a delicious sense of doubleness. (Some of the happy howling resembles a clip from a horror film.) One reason that they need no introduction, as Howard realizes, is their habit of dispensing with introductions to their songs; “She Loves You” gets a short clobber of drums, as if Ringo were tumbling downstairs in clogs, before the rest of the gang proclaims the opening chorus.



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