https://www.sfgate.com/movies/article/CUT-TO-THE-CHASE-Classic-scene-in-McQueen-s-2580656.php The hero car then found its way to New Jersey and into the hands of Detective Frank Marranca, who bought the car from the studio in 1970 with confirmation from Warner Bros. that certified the Mustang had indeed been purchased for use in the movie. Local car lots were searched and production started with two identical Mustangs and three sturdy Dodge Chargers. The bad guys' car was supposed to be a different Ford model (the automotive company had a deal with the studio), but it couldn't handle the pounding. "They paid for me to become a member of that actor's guild," McKenna recalls. "That was fixed overnight. Twenty-three years after the actor's death, it's still hard to find anyone who will speak an unkind word about him. It was absolutely amazing." Discover your new used car and drive happily ever after at: The Bullitt car chase is one of the best in the history of cinema. "They seemed a little bit disappointed in that part of it," said McKenna, who witnessed that scene live. The cinematographer said he almost bought a home in San Francisco after "Bullitt" wrapped up. Against the norm they kept the rearview mirrors in both cars, and they used them, including one beautiful shot from the dark interior of the Dodge, the bad guy’s car, from which we see a cityscape as well as the rearview mirror. McKenna got a one-line speaking role in the movie ("Make sure you book this") and gets the occasional reminder of his work in the mail. But the strength of that driving sequence -- a nine minute, 42 second testosterone overload through the precipitous streets of San Francisco -- was still enough to ensure that "Bullitt" would become a classic. "I had at that time just bought a white Mustang, and it was like driving a slug," Brebner said. The car from the chase scene that forever changed the movie industryIn 1968, “Bullitt” cemented itself as the pivotal moment in the history of car chase scenes, doing what none had ever done before and setting the standard for all that would follow, earning it the badge of honor that it carries today as the single greatest car chase scene in history. 2. As for the Mustang, the car used for chase scenes was reportedly a GT fastback equipped with a 390-cu.in. Then McQueen's Mustang bumps the shotgun-toting killers' Charger, leading to an explosive finale.

And rising from a hill inside the rearview mirror is Bullitt in his Mustang.At about an hour and eight minutes into it, the hitman’s driver puts on his seatbelt.

"With the centrifugal force of that speed, it was close to impossible to pan to the left and get Steve McQueen. Lieutenant Bullitt (Steve McQueen) was in pursuit of two hitmen driving the Charger.

Fraker said the fastest speeds came along Marina Boulevard, where the camera car's engine noise hit a frighteningly high pitch. Stuntman Bud Ekins, who jumped the motorcycle in "The Great Escape," wrecks another bike in the scene. The Dodge Charger, which executed some of the most difficult maneuvers on the shoot, was piloted entirely by Hickman, a seasoned driver who later worked on "The French Connection." "We said none of us would ever use our own vehicle in pursuits and stakeouts -- because of insurance purposes, for one thing.

According to the legend, McQueen and San Francisco were brought together by a patch of undeveloped ground in a Hunters Point youth park. He told me what was wrong with it, but I don't remember now. From there, the chase materializes in Potrero Hill for two blocks, then teleports 3 miles north to Russian Hill and into North Beach. "We would shoot in the cars at 24 frames, actual sound speed, and speed up the cars." "We had dinner there one night and came up with the idea of not speeding up the camera," Fraker said. In addition to its Highland Green paintwork, the Bullitt Mustang retains many of the fingerprints from its time in front of the camera, including the camera mounts welded to the rockers, the welded patches covering what used to be the backup lights before McQueen had them removed, modifications for camera gear both inside and out, its custom exhaust, adhesive residue on the tachometer and even the Bondo used to repair the door after it was smashed in during the final moments of the chase scene. "I was parked on the set and they needed four or five cars moved.

Not on the streets of New York or Tokyo, but on the streets of San Francisco.

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